Rebecca Skloot's
life experience is drastically different than that of Henrietta
Lacks. As a writer, however, Rebecca must overcome that barrier and attempt to
enter a different world to tell Henrietta's story. This is necessary
to make an earnest effort to accurately tell a story that needs to be
told. The voice of an author, thus, must be without color, race, or
background so as to not distract the reader from the point of the
message. The writer can be of any background since it is only the
message that matters. In “The Immortal Life of Henrietta Lacks”,
although it is Rebecca Skloot, a white woman, that leads readers on a trip through a
remorseful past of segregation in America, her background is of no
concern since the Skloot attempts to portray the story through the
eyes of Henrietta as true as possible.
When Skloot began
her endeavor to discover the person behind HeLa, her sincere
fascination with the subject motivated her to piece together the
story through interviews, historical records, and some creative
freedom. Despite the cultural and socioeconomic divide, from the day
she first heard about the HeLa cells, it was a subject she was
interested in pursuing. Much of the information regarding the origins
of these cells was not reliable, thus she took it upon herself to
investigate. The question about whether or not she is qualified to
write about Henrietta Lacks is irrelevant simply because of her
interest. If only a black woman with a background similar to that of
Henrietta's would be allowed to write about these issues, and not a
white woman (or man), then it is no different to say that race and
class must be separated once again. Stories as powerful as that of
Henrietta's life and death (and life of her cells) deserve to be
disseminated without blanket restrictions based on the source.
It is the readers
that must decide whether or not a story is worthy of praise, not wide-ranging statements about race or socioeconomic background. There is
no “right” to be earned, in the sense that factors beyond one's
control determine one's eligibility to care, to be able to speak
about human plight. Skloot may have committed a few faux pas by
taking liberties of filling holes in the story for things that are
unknowable about henrietta, but the message does not change. It may even seem condescending to some that Skloot explains in the preface that
she will quote conversations and interviews as genuinely as possible;
grammatical inconsistencies would be included as if preserving
something akin to an anthropologist preserving the natural state of
his subjects, another argument can be made that she is simply trying
to remove herself from the narrative by allowing the authenticity of
the world Henrietta Lacks lived in to become the focal point. Although some
detractors may argue that Skloot's perspective cannot be legitimate
because she is not like Henrietta, the plight of others should not be
determined by superficial factors. The human condition is universal –
empathy is universal - and so is the change that touched the world because of
Henrietta, thus the right to tell the story belongs to anyone that understands its significance.
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